Page 13 - Paul-Ygartua
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we were having dinner at the Ygartua’s the next night. I fully
expected Paul to beg off the project. after all, I had never seen
him paint in anything like the Gainsborough style. when we arrived
he presented me with a copy, varnished and aged to look like the
original. I asked ‘how long did it take?’ Joanne said ‘about half an
hour.’ Paul corrected her, saying it was more like 2 hours, because
he had to fashion a one bristle brush, age the painting, and apply
varnish. I put the painting in a frame the next day and took it
back to the auction house to show them the copy. before I could
explain, the manager asked why I had changed the 18th century
frame. Paul can do anything.
a greater example of his talent was when a mutual friend, who
is a collector of napoleonic memorabilia, wanted a 3’x 6’ painting
of the Scots Greys charge at waterloo (a la Elizabeth butler). I
showed the concept to a few artist friends who balked at the
enormous project, quoting weeks or months for completion. My
friend approached Paul on Saturday while having dinner at my
home, about doing the job. he said he would fit it in the following
week, because it looked like an interesting challenge, and would
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