Page 13 - Paul-Ygartua
P. 13

we were having dinner at the Ygartua’s the next night. I fully



             expected Paul to beg off the project. after all, I had never seen


             him paint in anything like the Gainsborough style. when we arrived



             he presented me with a copy, varnished and aged to look like the


             original. I asked ‘how long did it take?’ Joanne said ‘about half an



             hour.’ Paul corrected her, saying it was more like 2 hours, because


             he had to fashion a one bristle brush, age the painting, and apply



             varnish. I put the painting in a frame the next day and took it


             back to the auction house to show them the copy. before I could



             explain, the manager asked why I had changed the 18th century


             frame. Paul can do anything.







             a greater example of his talent was when a mutual friend, who



             is a collector of napoleonic memorabilia, wanted a 3’x 6’ painting


             of the Scots Greys charge at  waterloo (a la Elizabeth  butler). I



             showed the concept to a few artist friends who balked at the


             enormous project, quoting weeks or months for completion. My



             friend approached Paul on Saturday while having dinner at my


             home, about doing the job. he said he would fit it in the following



             week, because it looked like an interesting challenge, and would




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