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DANTELAMIRELA 26, 2013 PAPER ARTWORK /PAPERCUT 27.5X20 IN. | 70X50 CM. DANTELAMIRELA 12, 2013 PAPER ARTWORK /PAPERCUT 27.5X20 IN. | 70X50 CM.
WITHEWORLD, 2013 PAPER ARTWORK /PAPERCUT 27.5X20 IN. | 70X50 CM.
DANTELAMIRELA 18, 2013 PAPER ARTWORK /PAPERCUT 27.5X20 IN. | 70X50 CM.
DANTELAMIRELA 10, 2013 PAPER ARTWORK /PAPERCUT 27.5X20 IN. | 70X50 CM.
smallest and the largest to be understood. A star-formed ornament bound must be ready to uncover the essence of the picture,” postulates Mirela Anura.
by a circle allows an association to be formed with the cell construction of The question about the significance, about the essence of the picture and
microorganisms. The paper that lies beneath can already be seen through the in transferance about the thing in general, is one of the classic philisophical
cut out ornament, and it repeats the ornamental geometry, in fact joins it, which questions that can only be answered with hints and suggestions. According to
one can recognize by turning the page – joins it to the concept of a round Gothic Heracles, the essence of things likes to be hidden. Where in the paper cutwork
church window with symetric filigraned stonework. of the Artist can we detect this essence? In the complexity? In the rhythm of
The Artist describes the essence of her pictures, reliefs and objects as following: the changing motifs? In the ornamental balancing of the contradictions? Or is
“They live from light and shadow, from alternating forms and backgrounds, the meaning of the work exactly in that which is not there? It lies in the intuitive
from the clean lines and from rhythm.” The complexity of the pictues and the perception of the viewer to complete these missing parts in their minds.
motifs encourages the attention and commitment of the viewer. “The viewer Michael Voets, curator

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