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VASILE TOLAN

        Lives and works in Bucharest, Romania
        http://tolan.ro



       I am equally concerned with the expression of ray material, the diversity of its   lively the result of our work becomes. I usually refuse to give a title to my works
       manner of manifestation, the echo it has and the expression of free, spontaneous   of art in order not to direct someway the way they are perceived and understood,
       gesture coming from the depth of the human being, or from its abdominal past,   not to restrict the scope of it’s signification. i guess my work belongs to the field
       as Jung would say. I am not interested in the figurative representation. In my   between rough  art abstract gesturalism.
       opinion, the crated object must convey a message visually, in a straightforward
       manner without any annotations, symbols or other references to the conceptual
       field. I consider fine arts to be an art field that primarily spiritualizes palpable
       matter, concept and symbol, here as a rule, notions are merely able to complete
       the visual impact. I think hazard may contribute to the development of a simple
       or complex image, according to the case - the hazard explored in order to obtain
       wider field for the matter to manifest itself in a variety that goes beyond one’s
       imagination. My momentary state of mind and the materials I have available for
       my work at a certain moment largely contribute to the onset of the creative act
       often resulting from short and lively outbursts, for I see my work as a visual diary
       of moods. Recently I have often used collages of various materials, textures,
       several means of expression combined with other techniques. Regarding my
       work manner, usually one stage of my work determines the next one and so on,
       initially I have a vague idea of what the respective object it might be. I believe
       that the creation act is a lively phenomenon, whose program resides within us
       and the more thoroughly we discover it and we follow it, the more effective and
        TRIPTYCH-PART ONE OF THREE, 2010 MIXED MEDIA ON CANVAS 18,5X24,5 IN. | 47X63 CM.   
        TRIPTYCH-PART TWO OF THREE, 2010 MIXED MEDIA ON CANVAS 18,5X24,5 IN. | 47X63 CM.   
         TRIPTYCH-PART THREE OF THREE, 2010 MIXED MEDIA ON CANVAS 18,5X24,5 IN. | 47X63 CM.




























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