Page 150 - Museum
P. 150

ANDRE RUSU

        Lives and works in Stockhom, Sweden
        www.colourgrade.com



       When we enter a gallery, we accept that what we will see is a subjective   that can stay still in time; a moving one is a flowing river, with every frame
       reality, a reality, which can only exist in the world of that art. The construction   that passes the flow of time is being interpreted as continues.
       of that world’s artistic credibility is dependent on the consistency of that   ‘Infinite Ends’ Stereoscopic animation is like Manhattan, square and
       created world and leaves more room for the viewer’s imagination. It allows   organized but still giving the viewer the ability to get lost within its structure.
       the viewer to contemplate what has occurred.              The still image part of the artwork relates to the mentioned concept of
       A challenging aspect is to make art work which can be relevant today, there   stillness, where the moment captured is one that we never expect to change,
       is not one single point that is the deciding factor of innovation in today’s   within the life of the artwork time is constant; the subject will always be
       visual culture. The artwork for this series exists as still images on metallic   there and can be therefore analysed as a whole at a glance. Whereas the
       print and moving pictures, a series of intricate 4K stereoscopic animations   moving image is transitory, a moment that is inherently in the past already
       incorporating 3D and 2D elements. Following my work with liquid crystals   and yet within the life of the movement has not yet passed. The steady
       and heat sensitive materials, this work illustrates the possibility of a live art   stream of changing frames replace the interpreted flow of time and we
       image. This particular formula for the projects transcends mediums when   could argue that they create their own subjective time flow. In this manner,
       bundled as one piece of work. The viewer has the ability to compare the   ‘Infinite Ends’ still and stereoscopic, by an associative concept create their
       still image and the moving one and look at what elements are available to   own story-telling but equally, visual and conceptual entertainment.
       both and what is exclusive to each of them. A still image is present entity
                                                                    PURGE, 2016 PRINT ON METALLIC CANVAS 22X14 IN. (76X42,5 IN.) | 56X36 CM. (193X108 CM.)     
        SUN EMPIRE, 2016 PRINT ON METALLIC CANVAS 22X14 IN. (76X42,5 IN.) | 56X36 CM. (193X108 CM.)  INFINITE ENDS, 2016 PRINT ON METALLIC CANVAS 22X14 IN. (76X42,5 IN.) | 56X36 CM. (193X108 CM.)    






































       150
   145   146   147   148   149   150   151   152   153   154   155