Page 213 - The 60.Venice Biennial & MoMA issue of WOA Contemporary Art magazine
P. 213

WORLD-CLASS ART








         LIFE DANCES ON:
         ROBERT FRANK IN DIALOGUE

         MOMA ANNOUNCES MAJOR ROBERT FRANK EXHIBITION,
         COINCIDING WITH THE ARTIST’S CENTENNIAL, OPENING
         FALL 2024





         The Museum of Modern Art announces Life Dances On: Robert
         Frank in Dialogue, an exhibition that will provide new insights into
         the interdisciplinary and lesser-known aspects of photographer
         and filmmaker Robert Frank’s expansive career. On view from
         September 15, 2024, to January 11, 2025, the exhibition will delve
         into the six decades that followed Frank’s landmark photobook
         The Americans (1958) until his death in 2019, highlighting his
         perpetual experimentation and collaborations across various
         mediums. Coinciding with the centennial of his birth and taking
                                                              Robert Frank. Cocksucker Blues. 1972. Gelatin silver print, 19 7/8 × 15 7/8" (50.5 ×
         its name from the artist’s 1980 film, Life Dances On will explore   40.3 cm). The June Leaf and Robert Frank Foundation. © 2024 The June Leaf and
         Frank’s artistic and personal dialogues with other artists and with   Robert Frank Foundation
         his communities. The exhibition will feature more than 200 objects,
         including photographs, films, books, and archival materials, drawn   “This exhibition offers visitors a fresh perspective on this beloved
         from MoMA’s extensive collection alongside significant loans. Life   and influential artist,” said Gallun. “The enormous impact of
         Dances On: Robert Frank in Dialogue is organized by Lucy Gallun,   Frank’s book The Americans meant that he is often remembered
         Curator, with Kaitlin Booher, Newhall Fellow, and Casey Li, 12   as a solo photographer on a road trip, a Swiss artist making
         Month Intern, Department of Photography.             pictures of an America that he traversed as an outsider. And
                                                              yet, in the six decades that followed, Frank continually forged
         Robert Frank. Fire Below–to the East America, Mabou. 1979. Gelatin silver print, 19   new paths in his work, often in direct artistic conversation with
         3/16 × 22 13/16" (48.8 × 57.9 cm).  The Museum of Modern Art, New York. Gift of the
         artist, by exchange. © 2024 The June Leaf and Robert Frank Foundation  others, and these contributions warrant closer attention. The
                                                              pictures, films, and books he made in these years are evidence
                                                              of Frank’s ceaseless creative exploration and observation of life,
                                                              at once searing and tender.”
                                                              Organized loosely chronologically, Life Dances On will focus
                                                              on the theme of dialogue in Frank’s work and reflect on the
                                                              significance of individuals who shaped his outlook. Frank’s own
                                                              words will be present throughout the exhibition - in the texts
                                                              he scrawled directly onto his photographic negatives, in the
                                                              spoken narrative accompanying his films, and in quotes woven
                                                              into the exhibition catalogue that will be published by MoMA in
                                                              conjunction with the exhibition. Also revealed throughout the
                                                              exhibition will be Frank’s innovation across multiple mediums,
                                                              from his first forays into filmmaking alongside other Beat
                                                              Generation artists, with films such as Pull My Daisy (1959), to
                                                              the artist’s books he called “visual diaries,” which he produced
                                                              almost yearly over the last decade of his life.


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