Page 197 - The 60.Venice Biennial & MoMA issue of WOA Contemporary Art magazine
P. 197
undertone of personal biography, addressing the issue of highlights and shadows to create a dimensional space. Such a
self through symbolism to express her own ideology. What contrast shows a fantastic debate between geometry and nature.
results are gripping images rife with human emotion; complex Artispectrum Vol. 13 noted that dramatic compositions, and
forms and compositions are configured in forms of pure a multiplicity of visual textures, Mae Jeon creates computer-
expressionism; at times rhythmic and other times fearlessly manipulated images whose subject matter is an icon of organic
exposing the rawest elements of the human emotion. beauty - the flower. Surreal and stylish, Jeon’s images incorporate
A writer from NY Arts Magazine noted that Mae Jeon’s works the sensuality of the flower, as captured by artists such as Georgia
draw attention from a realistic rose to a canvas of digital shapes, O’Keefe and Imogen Cunningham, into fantastical abstractions
creating a debate between geometry and nature "When first within whimsically synthetic environments. In an era of the digital
looking at Mae Jeon's piece the first glance may be on the realistic world, Jeon’s appreciation of the colorful floral splendor found
rose on the bottom of the canvas which then draws your attention in wildlife through a technological language is contemporarily
to the rest of the canvas: digital shapes of greys and pinks with appropriate. (Petru Rusu, Editor).
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