Page 173 - The 60.Venice Biennial & MoMA issue of WOA Contemporary Art magazine

word, ambient field recordings, and pulsating electronic beats, collaboration with German sculptor Isa Genzken: Science
emphasizing music’s performative nature and its role as a Fiction / Hier und jetzt zufrieden sein (2001). This dizzying
preeminent force that brings people together. environment comprises two irregularly gridded mirrored
structures by Genzken, alongside Tillmans’s largest photograph
The comprehensive exhibition will conclude with recent and ever made - depicting the aftermath of a party bidding farewell
never-before-seen portraits, landscapes, and astrophotography, to his London studio. The installation’s title draws from the
alongside older works. Just outside the sixth-floor exhibition German phrase meaning “happy in the here and now,” evoking
space, visitors will encounter Tillmans’s monumental contemplative mindfulness as visitors depart the exhibition.

Installation view of Wolfgang Tillmans: To look without fear, on view at The
Museum of Modern Art, New York. Photo: Emile Askey

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