Page 102 - The 60.Venice Biennial & MoMA issue of WOA Contemporary Art magazine

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IZTOK ŠMAJS MUNI
Lives and works in Velenje, Slovenija
https://www.hopna.net/smajs

formless vibrating universe, where everything is interconnected and
in constant motion. I believe that everything is made of vibrations, and
that art can capture and transmit these vibrations to the viewers. My
works are not meant to be realistic or figurative, but rather expressive
and suggestive of the infinite possibilities of space. I invite the viewers
to immerse themselves in my works and experience their own
interpretations and sensations. I want them to feel the vibrations of my
works, and to explore the spaces that I create with their own eyes and
minds. I want them to question the nature of reality and the role of the
artist as a creator of new worlds. I hope to inspire a sense of wonder
and curiosity about the concept of wholeness as space itself. In my
journey as an artist, I have discovered that the exploration of space
is not just a physical journey, but also a spiritual one. It is a journey
into the depths of the human mind and soul, where the boundaries
of reality and imagination blur and merge into one. It is a journey that
challenges our perceptions and beliefs, and forces us to look beyond
the surface of things. It is a journey that reveals the hidden dimensions
of our existence, and opens up new horizons of understanding and
knowledge.
Space is the essence of my artistic exploration. I am fascinated by
the idea of wholeness as space itself, and how it can be expressed
and perceived through art. For almost four decades, I have been
experimenting with different media and techniques to create works
that challenge and expand the conventional notions of space and its
representation. My recent series of works could be described as a
form of “science fiction animation”, as they depict imaginary spaces
that are fluid, dynamic, and constantly changing. These spaces are
not bound by any physical laws or limitations, but rather by my own
imagination and creativity. They are the result of my artistic vision,
which is shaped by the line as a primary element. The line is both a
formless and a formative force in my artistic process. It is a tool for
tracing and shaping my visions, as well as a way of meditating and
connecting with the formless vibrating universe. The line can create
images with volume intention on a two-dimensional surface, giving
them a sense of depth and dimensionality. Or it can dissolve into pure
abstraction, creating patterns and textures that evoke movement
and energy. My works are influenced by the tantric philosophy of a

102 WORLD of ART