Page 70 - Genius

elena del Fabbro

lives and works in Udine, Italy

SEARCH THE ARTIST ONLINE www.elenadelfabbro.com
I tend to fish from my unfinished projects, drew by chance during my going on, I have moved from an attention towards people - to what
past years, so that I can then give dignity to what looks abandoned you can actually guess about their own story - to an attention towards
and neglected. To create the mixture, I use the pc, as it enables me their relationships. I am obsessed by relations and bonds, not a very
to use supports, techniques and concepts which are not necessarily deep level, I am attracted by what you see, what you can externally
homogenous - so often they all come from something so different from observe. I am interested in the need and suffering and in the dignity
their arrival point. It is the same for what I use for the more traditional and strength where you would less expect them. I often trace com-
works; they were often born for other purposes, which have now lost passion, extreme strengthens and courage. I just point out that I am
their usefulness. talking about need of a personality to be complete, full and to the need
for spirituality proximity; I am not talking about the need for food or
clothes, I am interested in the social sphere. On the end I look for so
long that I feel I am wearing out all this. I look till the stillness that my
stupor gives me does not become “being aware of so much beauty.”
Everything that I am doing answers my very own need to have certain
characters nearby, and that is their only way to stay close.
lately, I have started to get fascinated by the environment that contains
all these relationships. I am still curious and fascinated by mothers as
well, I tend to represent them everywhere. I have created characters
that they are what and who they are due to their mothers. I believe we
are what and who we are due to their intervention; I find this relation-
ship extremely fascinating. The fulcrum is the relationships, the bonds
and concatenations that strike my imagination; it is their tangle that
becomes representation of positions in space.

 sanD, 2011 PENS, MArkErS AND PENCIlS ON PAPEr, 20x12 IN./50 x 30 CM.
moon, 2010 ElAbOrATED DIgITAl COllAgE (DrAWINgS/PHOTO) PrINTED ON MATTE
PHOTOgrAPHIC PAPEr ATTACHED ON PlASTIC bOArD 31x31,5x0,2 IN. /80x80x0.5 CM. 
 my sWeety, 2009 FAbrIC SCUlPTUrES HEIgHT AbOUT 31,5 IN. /80 CM.

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