Page 37 - Genius

Undoubtedly, painting is the favorite medium of this new wave of artists, who
without having a unitary aesthetic program shared ideas, and sometimes refused
the same ideas, outlining quickly and passiona trends in the art of the period. The
global art climate in the early 21 century’s became perceptible at the level of the
whole cultural artistic mentality. However, due to its multiple implications, the
term avantgarde and then the international transavangard (*Achile bonito Oliva),
is sometimes replaced with related terms like innovation and experiment. In other
words, the avantgarde inevitably becomes a type of experimentalism, thus, one
might say, in gugliemi’s words that “experimentalism is the style of present day
culture”. After the effervescence of post modernism and the post conceptualism,
installations and performances questioned and rejected a certain enhancing of the
exposure notion and was gradually advancing, bringing a multiform of Multimedia
types, Digital, and virtual. The new online attitude can be understood as a definite
refusal of the common place art, opposed both to the current cultural and social
affairs. The internet exposure stands out as the most productive innovation world-
wide. There are today many collective online exhibitions which have displayed or
declared aesthetic programs of the new online generation.
It is quite relevant that online exposure and the digitalization became the favor-
ite trend foremost of the young artists, and also the whole artistic generation
worldwide. This is a sign that the misrepresented visual discourse of “official”
art is not longer important and representative of the global movement in art. The
potentialities of the virtual creative act in its relationship with digital technology,
nature or society, cultivate more intensely the metaphorical values and symbol-
ism, either personal or widely spiritual of the artistic act and its traces in space
and in a global consciences. The harsher material conditions become and the
constraints imposed on society make the artists prefer computer and techniques
such Photoshop and photography processed art with various ways of manipula-
tion. Medialworks.com, Artoteque.com and ArtAddiction.net online exposure
gives the freedom to choose a desired inclusion ranging from visual arts, music,
and writing supporting all techniques and schools of thought, a display of several
chosen works that go through a rigorous selection, whereas submitters need to
pass two individual selections conducted by a qualified reviewer of works. This
new system offers dual qualities, a substance both visual and intellectual for a
wider range of people.

Curating shows and giving out information, exposure that transcends a relationship
rich in potential for other galleries and museums who wish to advertise, likewise
for sponsors. you could say that there only exist three types of people, people
who make things happen, people who see what is happening, and people who are
wondering what is happening. Is there a right place for art? Our target audience
ranges from galleries, museums, collectors, art centers, art fairs, cultural institu-
tions, subscribers, and our worldwide global online audience. We show artwork
from professional artists only, as opposed to other websites who list unselected
works from a majority of non professional artists, and that is the reason why we
it is possible to integrate the passion to curate such an extensive movement.
by addiction to publishing artists in their rightful place towards the top, the online
art gallery, which includes international artists, provides a unique opportunity
to build a thriving business via the internet and unique art publishing projects.
"Art in real Time" by
Andre rusu, MA of Arts Film and Television, london
 ©tHe GLamoroUs LiVes series, 2008 PHOTOgrAPHS, DIgITAl MANIPUlATION, COMPUTEr
grAPHICS 16x8¼ IN. /40x21 CM. ©Container piano Versions, 2006 PHOTOgrAPHy AND
DIgITAl MANIPUlATION, COMPUTEr grAPHICS 16x8¼ IN. /40x21 CM. 
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