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BASIL C. FRANK


                     Lives and works in Jerusalem, Israel
                                                        w w w.bcfrank.co.il

        The blind rigidity of the Israeli art canon is a wondrous phenomenon that   Frank set out as a minimalist artist during the 70’s in South Africa and was a
        probably will be thoroughly evaluated in the days of the messiah. Take for   political activist against the Apartheid Regime. During his studies at the St’
        instance the Jerusalem artist Basil Frank who won 5 consecutive international   Martins College of Art in London, he became more of an expressionist and
        awards in last the 5 years but only inside Israel nobody pees in his direction.   was associated with artists such as Anthony Caro and Joseph Beuys. When
        It makes you wonder? Not really! When the Israeli establishment sets his   he got to Jerusalem, he started a more conceptual and matured stage in his
        mind to condemning, international acclaim does not help. When Frank won   work. His studio in the industrial area of the Talpiyot neighborhood is filled
        the grand-prix in the Osaka Triennial in ’97 he naively thought that maybe,   the to the rim with photos, sculptures, and installations in his own special
        at last, something will also change in the Holy Land to which he migrated in   contemporary style – kinky, blunt on the verge of brutal.
        the end of the 80’s from South Africa; but no respected international juror   Despite of Frank’s optimism and survivalist nature, he developed over the
        obviously has the capacity to change our enlightened wise men’s opinions.   years a sense of bitterness and anger towards the fact that his art works didn’t
        Basil Frank remained an anonymous artist in his country and his city even after   find their way to the walls of Israel’s museum. “I wonder how many more
        five years and five more awards, including a prize at the Florence Biennale   international awards it will take me to get recognition for my work in Israel”.
        in December 2001.
                                                                                   Anat Munitz, art critic for Ma’ariv, Israeli (fragment)
               THE SACRIFICE, 19971-2001 B&W PHOTOGRAPHIC FILM LAMINATED ON PERSPEX 95X250X2 CM. /37X64X¾ IN.
                        AWARDED WORK, BIENNIAL INT’L DELL’ ARTE CONTEMPORANEA CITTA DI FIRENZE, LORENZO IL MAGNIFICO



































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                                                                    FAMOUS
                                                                 CONTEMPORARY ARTISTS
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