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preface












           THE CONTINUITY OF BECOMING                            this journey, we need bridges. And Art is one
                                                                 of these: it allows us to get to the other side, it
           In an era such as our own, where we are               leads us back to a situation which is in any case
       constantly faced with infinite transitions, we            consubstantial with man. A situation in which
       are often tempted to wonder if it isn’t possible          thought begins once again to logically restruc-
       to codify the different phenomenologies of con-           ture a new grammar and language. New in the
       temporary art in a sort of cinematic ritual that          sense of re-found.
       would make it comprehensible in its totality, in
       its unitary globality.                                    All contemporary art, in fact, is nothing other
       If we start with the concept that all art (and            than a reflection of the idea or philosophy of a
       not only art) is matter, then it is only natural          transversal, complex and at times even incom-
       to reflect on whether it is right to bring matter         prehensible (if superficially interrogated) cul-
       back to a level that transmits pure energy. All           tural era. This is why it seems ever more willing
       this derives from the fact that, alongside the            to provide innovative spatial dimensions, new
       external world, there is also an interior world.          temporal dynamics. It attempts to represent the
       As there are always two sides to every coin, we           interior world of man. It simulates the feelings,
       would therefore have find the right, but certain,         sensations, emotions that he would be expe-
       balance. And man, dealing with art, has, as it            riencing if he were faced with his own thoughts
       were, the possibility to re-design his own role,          and wanted to completely traverse these
       along with his limits and boundaries.                     thoughts.
       The meaning of all this lies in the fact that art,
       metaphorically, reveals itself as a travel compa-         A work of art is thus the end result of a spe-
       nion able to accompany us towards new dimen-              cific process – possessing a specific form and
       sions of life. It asks us questions about which           aesthetic, it serves no purpose except that of
       and how many resources we are harbouring,                 channelling a very specific form of energy. It is
       about what we are able to mobilise in order to            always a sort of communicative performance.
       reach new horizons. If we want to undertake               It allows man to plumb his own conscience and
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