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other artists a new manner of abstraction within realism. Due to physical encourage observers of his pictures to think about the background of what
disability Rien vörgers now lives like a hermit. However, he got to know is shown in the foreground, and remains his main source of energy. The tree
how society works throughout his long active life within the world of glass with branches designed like barriers: a tree offers shelter, but everybody sees
building. He also acquired wisdom, thru advice to architects and construc- him/herself once in a while standing before a barrier. See ‘Barrier’. Although
tion companies on how to use colors on the outside of their buildings. His his painstaking way of painting requires much time, in the last thirty years,
warm attachment to advancing mankind’s future in a positive sense, would Rien’s mosaic styled paintings amount to more than 300.
fIDELITy, 1985 gOUACHE 40.5X29.5 IN. /103X75 CM. (1 OF 7 vIRTUES) JUsTICE, 1985 gOUACHE 40.5X29.5 IN. /103X75 CM. (ONE OF 7 vIRTUES)
gNAWINg fRUIT, 1986 gOUACHE 29X20 IN. /74X52 CM. (ROTTEN FRUIT IS LEFT ALONE)
CITy bUILDINgs, 1988 gOUACHE 28X20 IN. /71X51 CM.(“gABLES”)
bLoW, 1986 gOUACHE 29.5X20.5 IN. /75X53 CM. (BIRTH REgULATION /THERE THEY gO)
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