Page 103 - Art-in-Israel

sensitive and broadcasts on the same wavelength as she is to paint a desert without succumbing to monotony.
does. It is not easy to penetrate this world, but it is still Liron does not aspire to revive the surface or emphasize
harder to break loose of its spiritual domination, which is any certain object, and yet the observer is invited to
invisible. acquaint himself to an undisclosed secret that’s created
by the red, yellow, and orange mists. In this scenery, one
Liron draws women a great deal. Harmonious silhouettes feels the breath of space - unlimited space that gives a
softly drawn on a colorful red or yellow background, with cosmic sensation brought down to us by the artist from
no facial features, create an individual and psychological unreachable heights to the ground. The artist also paints
tension originating from the color and shape of the flowers, with love and joy - one single flower per painting.
characters. No variety of colors, no impressive plot, but This fantastic, charming, and big flower seems to emit
rather a very gentle and favoring sensitivity to the ultra-violet glow.
characters in the painting emits a lyrical radiation of the
artist’s talent. The lyrical entity gains even more power The process of her creation combines femininity,
with portraits of pregnant women and their inner poeticism and gentility to a conception of minimum
sensations, which evoke a more feasible and greater means and maximum artistic product. I now know why
impression. Liron prefers touching the canvas with a warm hand and
Another favorite genre of hers is landscape, specifically sensitive fingers rather than with “a bunch of animal-hair
desert-landscape. Landscape artists know how difficult it attached to wood.”
PROF. GREGORY OSTROVSKI
Published in the Russian-language journal “Vesty”, April 7th 2003.

UNTITLED

OIL ON CANVAS
100X120 CM.

UNTITLED

OIL ON CANVAS
120X120 CM

ART IN ISRAEL ART IN ISRAEL
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WORLD OF ART WORLD OF ART