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allow viewers’ sight to rest a while following a dazzling depths and innuendos reaching beyond light-hearted
performance. It is as if interrupting a tour around a sun- playing with paints or pastels. In particular, pastel
flooded city in a cool shade of a cathedral. (This is the works created recently, filled synthetically with figures
way in which 19th century painters let viewers’ tired eyes presented in Bacon’s style, are permeated by a thick air
recuperate by showing them black mirrors). of psychological dilemmas, leavings and returning. The
Nevertheless, under the surface of care-free frolicking artist transposes situations involving two or three people
in the sea of color, Miłek’s works hide sour-bitter into his works. Ryszard admits us here to his personal
IN FRONT OF THE MIRROR, 2016 OIL PASTEL ON PAPER 39,5X27,5 IN. | 100X70 CM.
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BLUE SPLEEN, 2016 OIL PASTEL ON PAPER 39,5X27,5 IN. | 100X70 CM.