Page 304 - Art-Professionals

Going my own way, forever studying the old masters, best art
school, museums, exhibitions, always a joy, thus developing
evermore a keener, appreciative eye. During my four years

in Rome, I have also studied Vasari’s book on Renaissance
art, the first methodological approach to art studies still of
authority today. I always feel absolutely free to paint whatever
comes out, don’t follow any trend but have always been most
interested in painters from all over, having developed a very

critical and keen eye. Not following any trends or influences,
I appreciate Gerhard Richter for his varied paintings and for
the ones depicting his emotional status when under political

strain and menace. I also like Nicolas de Stael’s painting of
Since I am also a poet, my poetic images say through colors
Agrigento for his vivid colors and daring compositions and
vibrations in arrangements of lines what words express,
atmospheres. I love Master William Turner’s illuminated skyes,
evident link between painting and poetry. My third theme
wide horizons and wonderful atmospheres.
are abstracts that, however, do express the, at that time,
Art is a never ending marvel and I am so lucky to have such a
emotional status I am in or any other deep down diffuse
creative nature in everything I do. Having grown up in a family
feeling that just spurts out and takes shape on the canvas,
transmitting the love of art and music to their five children,
so to speak by itself, through layers and layers of much
painting has always be real joy for me, a need, urgency often
worked over paint. Having lived and done my schooling in
to express something that just has to come out, either in a
various countries and languages, I have developed a critical
spurt or after long maturation. Techniques vary in accordance
eye and distance to help rapid adaptation and let sink down
to what wants to be expressed and mediums go from pastels,
in me what I have seen which is reproduced some day on
watercolors, oil to acrylic.
canvas. This explains the variety in my painting and the
many techniques to express it I just discover while being
plunged: in what is happening on the canvas, and, like
Pierre Soulages, the great French craftsman(dixit) and art

master of black says, let the material express itself, feeling
absolutely free to paint whatever comes forth.

304  THEME HORIZONS. AT THE POINT OF DAWN, 2016 ACRYLIC ON CANVAS 20X11,5 IN. | 30X40 CM.

THEME LINES AND COLORS, AUTUMN COLORS (TRIPTYCH), 2014 ACRYLIC ON CANVAS 15,5X35.5 IN. | 40X90 CM.